An Exhibition for the Unnoticed
di YIANNIS YIASARIS
Questo è il prezzo che vedono i tuoi clienti. Modifica prezzi
Informazioni sul libro
In an era saturated with images, we have learned to look, but not to see. An Exhibition for the Unnoticed is a visual wandering through the institutional temples of art, where the real action unfolds not upon the walls, but within the shadows, the reflections, and the moments of absolute solitude amidst the crowd.
From the digital matrix of screens to the water curtain separating our world from the unknown, this book redefines the role of the spectator. It is a sequence of frames where the human form merges with the sculpture, the shadow transcends into a silhouette, and the 'unnoticed' visitor becomes the protagonist of their own exhibition.
From the digital matrix of screens to the water curtain separating our world from the unknown, this book redefines the role of the spectator. It is a sequence of frames where the human form merges with the sculpture, the shadow transcends into a silhouette, and the 'unnoticed' visitor becomes the protagonist of their own exhibition.
Sito web dell'autore
Funzionalità e dettagli
- Categoria principale: Libri d'arte e fotografia
- Categorie aggiuntive Portfolio, Libri di lusso
-
Formato del progetto: Orizzontale standard, 25×20 cm
N° di pagine: 60 - Data di pubblicazione: giu 13, 2026
- Lingua English
- Parole chiave color, photography, street photography
Mostra di più
Informazioni sull'autore
Yiannis Yiasaris
Melbourne
Yiannis Yiasaris is an independent street photographer based in Melbourne, Australia. His work focuses on a cinematic exploration of the urban landscape, capturing quiet, unseen moments within a structured, horizontal frame. Guided by a deep commitment to an autonomous artistic vision, his photography avoids conventional constraints to reveal the unnoticed poetry of daily life. His distinct visual style has earned him multiple awards and distinctions in major international street photography festivals and competitions worldwide.
