Design Practice
An Inefficient Approach Toward Design Performance
di Nick Misani
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Informazioni sul libro
When musicians speak of “practice,” we know they are referring to the laborious procedure of acquiring, improving, or maintaining technical skill and of the process of interpretation and iteration that is an unavoidable part of their profession. Isn’t it fascinating, however, that when designers speak of their “practice,” we assume they are talking about their business?
My interest in exploring this semantic inconsistency stems from my relatively recent coming to design from the field of classical music performance. As a designer, I am interested in exposing the circular, iterative, obsessive process of music through the hybrid, idiosyncratic methodologies I am beginning to call my own.
My interest in exploring this semantic inconsistency stems from my relatively recent coming to design from the field of classical music performance. As a designer, I am interested in exposing the circular, iterative, obsessive process of music through the hybrid, idiosyncratic methodologies I am beginning to call my own.
Funzionalità e dettagli
- Categoria principale: Libri d'arte e fotografia
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Formato del progetto: 15×23 cm
N° di pagine: 232 - Data di pubblicazione: ago 17, 2012
- Parole chiave design, thesis, practice, music, ornament, Pratt
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