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    Visualizza Death Mask di Mark GoodmanAnteprima
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    Death Mask

    di Mark Goodman

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    MARK GOODMAN/Blurb Book #8. [2018] The photographs were taken between May 2017 and March 2018 in central Austin, Texas at the Hope Outdoor Gallery graffiti park—the grounds of a condo project that failed after the foundation cracked and the nearly completed structure was razed in the mid-1980s, leaving behind a concrete ruin. The unpainted 9x7-inch plaster SkullBot head seen in these pictures was made by the public-artist, The Impossible Winterbourne, who installed it on March 25, 2017, against the front of a 24x18-inch rectangular concrete pad capping a four-foot high anchor pier, located at the lower terrace of the site’s three levels. That same day, the artist adhered eight other SkullBots and faces around the park (at this writing, five survive) and announced to the world, “Feel free to decorate them”—although, no invitation was needed. Every surface of the gallery has been covered and recovered with innumerable layers of paint. This particular SkullBot has been spray-painted by unknown hundreds of people, everything from a random spot to a complete redo, sometimes within minutes of each other, and never left untouched for more than a few days. Certainly, no one has eyeballed every incarnation of the head’s painted transformations, but this sequence of photographs taken at irregular intervals over ten months present one SkullBot’s changing appearance in chronological order.
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    • Categoria principale: Fotografia artistica
    • Formato del progetto: Quadrato grande, 30×30 cm
      N° di pagine: 88
    • Isbn
      • Copertina rigida con sovraccoperta: 9780464690061
    • Data di pubblicazione: ott 18, 2018
    • Lingua English
    • Parole chiave Austin, Texas, Graffiti, Park, Portraits
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    Informazioni sull'autore
    markerbooks
    Mark Goodman
    Austin, Texas

    Mark Goodman, a 1970 graduate of Boston University in Anthropology, studied with Minor White during a 1970 photography workshop. A year later, he attended Apeiron Workshops in Photography and began a twenty-year project documenting (photographs and audio tapes) a generation of children growing up in the nearby village of Millerton, New York. He received fellowships from the National Endowment for the Arts (1973) and the John Simon Guggenheim Memorial Foundation (1977); his photographs were featured in Aperture 19:4 (1975); exhibited in a one-person show at the George Eastman House, in Rochester, New York (1980-1981) ; and A Kind of History: Millerton, New York 1971-1991 was selected by Vince Aletti in the Village Voice as one of the Top Ten Best Photography Books of 2000. Between 1980 and 2013, he was a professor of photography at the University of Texas at Austin. Since 2005, he has published limited pigment print and Blurb books, portfolios of photographs, and personal essays.

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